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HARVARD GAZETTE ARCHIVES
Baroque-Style Bows, Authentic Sound
Donation of handmade bows enrich early music

The majesty of a baroque-style bow, as shown by Ana Ackerberg '95, HLS
'00.
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This Sunday, a set of baroque-style violin bows donated to the
Memorial Church by the Business School will be used in a live, early
music performance.
The concert of baroque orchestral music, to be performed by the
Harvard Baroque Chamber Orchestra at the Memorial Church, will
inaugurate the set of violin bows. The gift was made in honor of
Professor Samuel L. Hayes III, Jacob H. Schiff Professor of
Investment Banking Emeritus, who retired last fall. Hayes,
along with his wife, Barbara, are supporters of the Harvard Baroque
Chamber Orchestra at the Memorial Church, and of other student
early music productions at Harvard. This gift supplies the
appropriate tools for playing music of the baroque period.
It was a lack of knowledge of early music performance practice
that sparked the creation of the Harvard Baroque Chamber Orchestra.
"When I first arrived at Harvard, I was frustrated by this
lack of knowledge when I would engage student orchestras to
accompany the Harvard University Choir in concerts at the Memorial
Church," says Murray Forbes Somerville, University organist
and choirmaster. "It surprised me, as Boston is the only U.S.
city with two professional baroque orchestras." Initially,
Somerville and chamber orchestra co-founder Robert Mealy '87
hoped to be able to afford one bow a year. "This gift has
enabled us to realize our dreams much faster, and the Church and
orchestra are very grateful," says Somerville.

One of the newly donated bows is used by Wesley Chinn '98 during a
rehearsal for thie weekend's concert.
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The design of violins has changed over time as the style of music
has changed. For example, modern violins evolved because of the
change in concert venues. "The 'modern' bow that
we all recognize from symphony orchestras was invented in the 19th
century to play the modern music of the time," explains Mealy.
"It was created to realize an aesthetic of long, seamless
melodies, with a brilliant carrying power necessary to fill the new
large symphony halls.
"Baroque bows are the sophisticated technology that was
designed to play baroque music," says Mealy. Baroque bows are
lighter, more flexible, and can easily realize the highly inflected
musical rhetoric of their time; they bring out all the spirited gestures
that make up this music. The donated bows are constructed after an
18th-century design and are made of snakewood, a wood with a
speckled brown and black grain (hence the name). The major
physical differences between these and modern bows are the wood,
the lighter weight of the stick, the narrower horse-hair, and the
lighter tip, which features an elegant 'swans head' on the
end.
Tis Marang, the bowmaker, is a resident of the Netherlands, and
makes between 50 and 100 baroque bows each year. The bows are
used by players in many top European and American period
orchestras.
This gift of bows is exciting because it allows a group like the
Harvard Baroque Chamber Orchestra to play early music as it was
intended by the composer.
"Any string player truly interested in Bach, Vivaldi, Corelli,
Purcell, and dozens of other great composers will want to see how it
feels, and how it sounds, to try the music with the equipment for
which it was written," says Thomas Kelly, professor of music.
"These bows are a resource that ought to have the widest
possible utility." The bows are an especially important resource
as Boston is known as a center of early music in this country, but
surprisingly little in the way of early music performance education is
available at local universities.
"Having the appropriate tools for music-making is an
important part of the early music movement," says Wesley
Chinn '98, founding president of the Harvard Early Music
Society and a baroque violinist. "Advancing early music at
Harvard can play a key role in fostering the future of this genre in
America."
The concert, at 3 p.m. on Sunday, March 7, will feature music by
Bach, Vivaldi, Corelli, Purcell, and Handel, and will be directed by
Somerville and Mealy. Tickets are $10 ($5 for students and senior
citizens) and are available at Sanders Theatre box office and at the
door.
Copyright
1999 President and Fellows of Harvard College
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