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An Excerpt from Mind Over Water
To our port side, the powerhouse abides in majesty. Four strips of color--yellow,
blue, green, red, as in: wood, water, grass, brick--form a spectrum
that links us. From beneath the bridge, we row into splendor, as the setting
sun fires the river with magenta and flames of gold. Tall smokestacks rise
from the powerhouse and waft plumes of smoke into the sky, the epitaph of
fuel burned into power. Rowers call this reach of the Charles River the
powerhouse stretch; it is a straightaway about 1,000 meters long where boats
can attain maximum speed. Many races have occurred here. Invoking the word
powerhouse has been known, all by itself, to inspire speed in a crew.
This evening I sit in the center of the boat, in the #5 seat. We are
easing comfortably into our warm-up. The ritual evokes a meditative state.
Deep breaths infuse oxygen into my blood, then blood into tissues, awakening
muscles and memories. It is always thus. The first hundred strokes stretch
limbs out, loosening tendons and connecting me with other times on the river.
To starboard, another eight paddles downstream. Soon we will have at each
other.
Before a race, even a scrimmage, there is always anxiety . It is essential.
If there is no fear, we don't have enough at stake. Gamble more than
you can afford to lose, and you just might win. Tonight, we have a secret
weapon: the calm, assured voice of our coxswain, a former member of the
U.S. national team, quiets our nerves like a seasoned airline pilot explaining
the flight plan as we taxi out to the runway. His confidence becomes our
own.
On the water, though, it is ultimately the stroke who is in charge. When
in doubt, we follow the stroke's blade, not the cox's voice. If the cox
orders the rate up two, but the stroke stands pat, the rate will not
go up. While the coxswain's power is de jure, the stroke rules
de facto. Luckily, strokes rarely overrule their steersmen. Stroke
and cox are the only two crew members who face each other, and they had
better see eye to eye. Should they disagree often, the boat is in trouble.
Tonight, happily, it feels like stroke, cox, and the rest of the crew are
on the same wavelength.
In front of Riverside Boat Club, we turn around to head upstream. Our
coach brings the two eights together, lines us up, and tells us we'll row
for three minutes and see which boat is ahead. Then he announces, "Ready
all? Row!" and our scrimmage race starts. Our boat gets off well and
after thirty strokes we are a seat up.
Something happens as we emerge from the River Street Bridge and come
up on the red brick powerhouse. "Now, the powerhouse stretch,"
our cox intones. "So feel that power now...staying long...we're
going up two, in two...Now watch us... one...two...on
this one!" Tumblers fall into place--click--and a lock
opens. The boat suddenly gets quiet; we hear only eight oars grabbing the
water together, finishing as one. Some energy flow grips us like a river
current, synchronizing our motion; we row as one body. Thinking disappears,
leaving behind only presence and rhythm; yes, presence and rhythm are rowing
this boat, using us for oars.
The boat is perfectly level. Set up beautifully, we skim the surface
on an invisible laser beam running from horizon to horizon. There is no
friction; we ride the natural cadence of our strokes, a continuous cycle.
The crew breathes as one. Inhale on the recovery, exhale as we drive
our blades through the water: inspiration and expression. In. Out. Row
with one body and so with one mind. Nothing exists but: Here. Now. This.
Rushing water bubbles under our hull, as if a mountain brook buried
within the Charles flows directly beneath us. I have never heard this sound
before, but I know that it means we are doing something right.
The coach calls the end of our three-minute piece and we gradually come
out of the trance. Back on earth, I recall that we were racing, and wonder
what happened to the other boat, which is nowhere in sight. Then I see them,
a hundred yards downstream, a good five boat lengths behind us. We must
have horizoned them.
From Mind Over Water: Lessons on Life from the Art of Rowing
by Craig Lambert. Copyright 1998 by Craig Lambert. Reprinted by permission
of Houghton Mifflin Company. All rights reserved.
Copyright
1998 President and Fellows of Harvard College
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