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HARVARD GAZETTE ARCHIVES
The American Repertory Theatre Presents a New Season
By Susan Peterson
Gazette Staff
For a new holiday experience filled with drama and joy for the entire
family, the American Repertory Theatre (ART) is presenting Carlo Gozzi's
The King Stag on the Loeb Main Stage, in repertory through Jan. 19.
"It's our Nutcracker," joked Rob Orchard, managing director
of the ART.
The King Stag will be joined by Six Characters in Search of
an Author for the holiday season, after a successful joint tour
to Taipei last year. Both productions are in repertory with Ibsen's The
Wild Duck.
Celebrating its 18th year in Cambridge, the ART launched its current
season with eight plays -- three of which are world premieres.
Orchard explained that the ART's new season is a combination of classics,
new works, and new theatrical approaches that are appealing to a broad audience.
"The important thing is that artistic enthusiasm rather than financial
expediency drives the season," Orchard said. "Audiences here are
so engaged and responsive. Our work may be controversial at times, but that's
what live theater should be -- it should stimulate discussion."
The season began in October with a vaudeville musical romp called Punch
and Judy Get Divorced at the C. Walsh Theatre on Beacon Hill. The Loeb
season began with Ibsen's The Wild Duck, often considered to be his
greatest work. It is both a tragedy and comedy, exploring the destruction
of a family's peaceful existence.
For a theater experience that combines humor with "a heartbreaking
romance gone awry," Georg Buchner's play, Woyzeck (Jan. 31 to
Mar. 16) is based on the true story of a Leipzig barber who murders his
mistress in a jealous rage.
The world premiere, The Cabinet of Dr. Caligari (Feb. 21 to Mar.
22), is a three-dimensional theater adventure using a computer-generated
soundscape with film and slides. The multimedia production blends a variety
of styles for a very different theatrical collaboration.
David Mamet's The Old Neighborhood premieres in the ART's annual
New Stages series at the Hasty Pudding Theater in April. The play explores
family relationships of husbands, wives, sisters, brothers, and best friends
in "a quilt of remembered experience," according to the ART. It
will be presented with the world-premiere production of Sam Shepard's
When the World Was Green.
The season concludes with George Bernard Shaw's Man and Superman,
in a "hilarious cocktail of Victorian farce," (May 9 to June 8).
Said to be one of Shaw's finest and wittiest comedies, the play is "the
tragi-comic love chase of the man by the woman."
The ART is committed to producing a blend of new works and the classics
that aren't being done anywhere else, says Orchard, who has been with the
company since 1969. The ART first came to Cambridge and began its Harvard
affiliation in 1979, under the auspices of ART Artistic Director Robert
Brustein.
"Most regional theaters today are doing last year's New York or
London hits," said Orchard.
Brustein, who teaches dramatic literature at Harvard, explained that
the National Endowment for the Arts has awarded the ART a larger grant than
any other theater in the country.
"By association with Harvard, the ART has a mission to teach both
undergraduate and graduate level students through the ART Institute for
Advanced Theatre Training," Brustein said.
In keeping with its teaching focus, the ART provides an information phone
line that audiences can call to find out the synopsis of a play's plot,
or to hear from the director about his or her concept, and a response line
where the artists respond to frequently asked questions about the plays.
"For example," said Orchard, "someone may wish to know
about the symbol of the wild duck in Ibsen's play. It's mentioned 64 times.
On the telephone line, actor Jerome Kilty provides an answer."
"I believe strongly that seeing the play is only part of the experience,"
Orchard said. "We try to engage audiences well in advance -- to provide
an interactive arc of experience that starts before attending a work and
lasts well after the final curtain."
Copyright
1998 President and Fellows of Harvard College
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