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HARVARD GAZETTE ARCHIVES
Tcherepnin To Present Concert on Sunday at Fogg
Ivan Tcherepnin, composer and director of the Harvard Electronic Music Studio,
will present a concert, "Pictures at an Exhibition III: The Mediated
Object" on Sunday, April 14, at 5:30 p.m. at the Fogg Art Museum. The
concert is presented in conjunction with the exhibition "The Mediated
Object: Selections from the Eli Broad Collections" on view at the Fogg
through Nov. 3.
The 1995-96 Concert Series at the Art Museums features musical programs
designed to complement special exhibitions. The concert series is made possible
by a grant from the Island Fund. "The Mediated Object: Selections from
the Eli Broad Collections" will be open one half-hour before and after
the concert. Concert admission is $5; $4 students. Tickets may be purchased
at the door one-half hour before the concert begins. Complimentary parking
is available at the Broadway Garage, located on Felton Street between Cambridge
Street and Broadway.
"Pictures at an Exhibition III: The Mediated Object" is the third
in a series of works created by Tcherepnin to explore and illustrate selected
works of art through sound. The presentation will consist of a musical performance
and sonic environments. Among the musical works to be performed will be
The Creative Act (based on a text by Marcel Duchamp) for vocalist,
electronic guitar, and percussion with electronics, and The New Consonance
for string octet. The sonic environments will be created principally by
the Serge Modular music synthesizer. Tcherepnin will be assisted by numerous
artists and members of his composition class in analog electronic music.
The series "Pictures at an Exhibition" draws its inspiration in
part from its namesake by Mussorgsky, and also from Wassily Kandinsky's
concept of a "fundamental internal sound" present in a pictorial
composition. Tcherepnin said, "Hopefully, the works presented will
amplify and resonate with the 'interior sounds' of the works in the exhibition."
Tcherepnin completed his studies at Harvard, where his principal teacher
was Leon Kirchner. A pianist as well as a performer on psaltery, santur,
and synthesizer, Tcherepnin has performed, conducted, and lectured on four
continents. Tcherepnin has been a resident composer at Marlboro, Bellagio,
Dartington, the Santa Fe Chamber Music Festival, and Korsholm Festival (Finland).
His works have received awards from ASCAP, the National Endowment for the
Arts, and the Jerome Foundation.
In 1982, his performance Santur Opera obtained the Grand Prize of
the Arts Electronica Festival in Linz. Commissions have included The
Creative Act, for the Merce Cunningham Dance Company, Concerto for
Two Continents, which he recorded in 1994 with the American Wind Symphony
Orchestra, and And So It Came to Pass, and oratorio commissioned
in 1991 to commemorate the 100th anniversary of the Ontario Music Society
at Carnegie Hall. Two new works were presented in 1995: Double Concerto
for Lynn Chang and Yo Yo Ma, commissioned by the Greater Boston Youth Symphony
Orchestra under the direction of David Commanday, and Pictures at an
Exhibition: "Sin Fronteras," composed and performed for an
exhibition of artist Ivonne A-Baki's paintings in Quito, Ecuador. (A-Baki
is currently artist-in-residence at Dudley House.) In 1993, Tcherepnin and
his electronic music class presented a program at the Arthur M. Sackler
Museum to "Musify" an exhibition of paintings by Serra, DeKooning,
and Johns lent to Harvard in honor of Neil L. and Angelica Zander Rudenstine.
The special exhibition "The Mediated Object: Selections from the Eli
Broad Collections" provides a rare opportunity for the Art Museums'
audience to view works from these renowned collections of contemporary art
which come to Harvard from Santa Monica, Calif. Artists represented include
Richard Artschwager, Scott Burton, Saint Clair Cemin, Jeff Koons, Barbara
Kruger, Annette Lemieux, Sherrie Levine, Glenn Ligon, Cady Noland, and Robert
Therrien. "The Mediated Object: Selections from the Eli Broad Collections"
was conceived by Jessica Morgan while she was a curatorial intern in contemporary
art at the Fogg Art Museum.
This internship was funded by a grant from the Eli Broad Family Foundation
in support of the University Art Museums and their commitment to curatorial
training. Jessica Morgan is now an assistant curator at the Museum of Contemporary
Art in Chicago.
Copyright
1998 President and Fellows of Harvard College
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